Christine Johnston is an Australian performing artist/writer/singer who came from a semi-rural, outer Brisbane suburban childhood at Geebung, with two sisters, a brother, portrait painter mother, a dentist mechanic father, chooks, ducks, horses, dogs, frilly lizards, camping and bird-listening. Christine has created and collaborated on a diverse range of performance and musical works for events, festivals, art galleries, theatre, comedy, short film and cabaret which have toured Australia, UK, Europe, Asia, USA and Canada.
Christine became known for her dramatic visual performances with her particular bent on humour, when she began to combine music, singing, surprisingly accurate bird-call mimicry, musical-saw playing and performance with her visual arts background in and around the Brisbane arts and live-music scenes from the late 1980s.
In the 80s and early 90s it was with groups such as THE HIBISCUS SISTERS and GEZABEL DINOSAUR that swung Christine into performance and music after her tertiary visual-arts studies at Brisbane College of Advanced Education (now Queensland University of Technology).
It was in 1994 and beyond that Brisbane's iconic WOMEN IN VOICE series saw some of Christine's cabaret characters emerge - ANGEL OF ACID OPERA, BROWN WOMAN, FLOWER POWER, CARDBOARD WOMAN and INSECT WOMAN... and where Christine began to, and continues to, collaborate with costume designer Selene Cochrane. In 1998 Christine devised her first full-length show DECENT SPINSTER - Observations... Interpretations... and the Inner Hoon. It was through these outlets that Christine began to perform a type of Synesthesia that she and her younger sister Deborah had been sharing since childhood... giving visual objects a sound. Christine began to develop important creative relationships with musicians Trent Arkley-Smith and Peter Nelson; dancer/choreographer Lisa O'Neill and visual artist Kylie Burke. In 2000, almost as a culmination and an outlet for all her characters, MADAME LARK appeared... a big-haired, saw-playing vocalist with a fondness for bird-calling... Madame Lark most recently hosted the Clore Ballroom as part of London's Imagine Children's Festival (2013 and 2014) after performing for GOMA's Surrealism Exhibition with Gareth Skinner.
Some of Christine's other self-devised and collaborated performance works include DECENT SPINSTER (Matilda Commendation Award 2001); HAIRLINE; HAIRLINE EXTENSION; PEAK HOUR APPARITIONS (Brisbane Festival); ALL TOMORROW'S PARTIES (Lisa O'Neill); FLUFF: A Story of Lost Toys (QPAC Out of the Box 2002 commission with Peter Nelson & Lisa O'Neill, continuing to tour globally including a recent tour across the USA); WARM & FUZZY (QPAC commission); PIANISSIMO (QPAC commission with Lisa O'Neill ); and RRAMP - the Collector, the Archivist & the Electrocrat, which is a RRAMP HOUSE collaboration with Lisa O'Neill and Peter Nelson, animated by Ahmarnya Price (Brisbane Powerhouse commission, receiving two Green Room Award nominations in 2013).
In 2000 Christine also began to collaborate with friend Annie Lee when they became co-creators of multi-award winning comedic trio THE KRANSKY SISTERS... Alongside musicians Michele Watt and since 2007 Carolyn Johns, The Kransky
Sisters have been kept busy with regular television appearances (Spicks & Specks; In Siberia Tonight; The Sideshow) and continuous touring throughout Australia and internationally. Their
awards include: 2013 Green Room Award nominations (3); 2008 Sydney Theatre Award; 2006 Herald Angel Award (Edinburgh); 2005 Australian Mo Award; and in 2004 The Age Critics Award, Best Newcomers
Award and Green Room Award at Melbourne International Comedy
Festival. The Kransky Sisters have recently also enjoyed collaborations with music ensemble Topology.
Christine is looking forward to her role as Mad Margaret in Opera Queensland's 2017 production of Gilbert & Sullivan's Ruddigore or The Witch's Curse.